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Robert Adams
Ben Albury
Anthea Alley
Kenneth Armitage
Edward Burra
Reg Butler
Anthony Caro
Lynn Chadwick
Frank Dobson
James D Egleson
Jacob Epstein
Henri Gaudier-Brzeska
Eric Gill
I L Josephy
David Nash
Kirsten Nash
Susie Reiss
Leslie Thornton
William Tucker

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artists
Robert Adams
Ben Albury
Anthea Alley
Kenneth Armitage
Edward Burra
Reg Butler
Anthony Caro
Lynn Chadwick
Frank Dobson
James D Egleson
Jacob Epstein
Henri Gaudier-Brzeska
Eric Gill
I L Josephy
David Nash
Kirsten Nash
Susie Reiss
Leslie Thornton
William Tucker

Robert Adams No Frame

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Robert Adams (1917 - 1984)

Born in Northampton, Adams was largely self-taught and learnt the skills of his trade at Northampton School of Art. Whilst based in Northampton, Adams travelled to Paris in 1948 and there encountered the luminaries of the Parisien art scene: Constantin Brancusi, Henri Laurens, Maxime Adam-Tessier amongst many more. In 1951 Adams visited America and met Alexander Calder. Adams taught at the Central School of Art from 1949 - 1961 and there befriended a fellow colleague, Victor Pasmore. Keen to further his own work whilst teaching, Adams' first solo exhibition was hosted by Gimpel Fils in 1947 and was the first of many hosted by the gallery. His friendship with Pasmore evolved due to their shared interest in Constructivist ideas, in particular a desire to explore the link between art and architecture. notable works: Apocalyptic Figure, 1951 : commissioned by the Arts Council for the Festival of BritainDescending Forms, 1957 : commissioned for Eltham Green School, LondonUntitled (mural relief), 1959 : commission by the Municipal Theatre, Gelsenkirchen, GermanyFolding Movement, 1975 - 6 : commissioned by Williams & Glyn's Bank, London (now at Homerton Hopsital, London) notable exhibitions:New Aspects of British Sculpture, XXVI Venice Biennale, Italy, 1954Nine Abstract Artists, Redfern Gallery, London, England, 1954This is Tomorrow, Whitechapel Art Gallery, London, England, 1956British Pavilion, XXXI Venice Biennale, Italy, 1962ery.

Ben Albury

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Ben Albury (b.1972)

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Australian export Albury works primarily in pen-and-ink, lending his works a spare, pared-down look from afar, however at close range the work consists of tightly-constructed lines and light cross-hatching to add depth and detail to the cityscapes and still life subjects he favours. Academically trained as an architect, Albury's work references his extensive training and skill in technical drawing. His meticulous cityscapes depict familiar sights to any New Yorker: water towers and high-rise buildings. In contrast, his still life works focus on fine silverware and table crockery rendered in minute, elegant pencil lines.Selective biography2009 KPF Art Show (group show), Level 3 Gallery, 57th st, New York City, 21st 28th October2006 Master printmaking workshop with Basil Hall Editions, Mt Borradaille, Northern Territory, Australia2005 Postcard Show, Linden Gallery, St Kilda, Victoria, Australia. 5th February -19th March1998 EYES, (group show) University of Melbourne, Australia1997 Photography group show, Atrium of the Architecture Department, University of Melbourne, Australia

Anthea Alley

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Anthea Alley (1927 - 1993)

Alley trained in painting and design at Regent Street Polytechnic before moving to Chelsea College of Art and then Royal College of Art however it wasnt until 1957 that she began exploring sculpture as a medium and by 1959 she had progressed to welding. She taught at the illustrious Bath Academy of Art at Corsham in the early 60s. Teaching was a key part of her life and she also taught and influenced students at Hammersmith College of Art and Epsom School of Art. Her first solo exhibition was at Molton Gallery in 1960 and has exhibited widely since then. Her ideas evolved quickly and by 1962 Alley was experimenting with kinetic sculptures and sculptures involving water and light. She is represented in several museum collections, including the Tate Gallery.

notable works

Spatial Form, 1962 - 3 , Tate Gallery Collection

Kenneth Armitage

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Kenneth Armitage (1916 - 2002)

Born in Leeds and stydying at Leeds College of Fine Art (1934 - 7) and the Slade School of Art (1937 - 1939), Armitage worked in many mediums however it is his work in metal and bronze in particular for which he is most well-known. After the Second World War, Armitage taught at the Bath Academy of Art in Corsham, wherein he met and worked alongside the celebrated artist William Scott. During the Second World War, Armitage worked for the army teaching soldiers how to identify enemy aircraft by silhouettes. It is often noted that this experience is what inspired Armitage to convery mass by flattening form. His first solo exhibition was held at Gimpel Fils in 1952 and he went on to exhibit internationally. notable works:People in the Wind, 1950Family Going for a Walk, 1951Figure Lying on its Side, 1957notable exhibitions:New Aspects of British Sculpture, XXVI Biennale, Venice, Italy, 1950notable prizes:Gergory Fellow in Sculpture, 1953 - 5, as awarded by Leeds UniversityInternational War Memorial Competition, 1st prize, 1956, as awarded by Krefeld, West GermanyDavid F. Bright Foundation Award, 1958, Venice Biennale, Italy

Edward Burra Edward Burra copy.jpg

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Edward Burra (1905 - 1976)

Primarily a painter and draughtsman, Burra was born in South Kensington in London but spent most of his life alternatively living in his family home in Rye, Sussex and travelling to France, America and Mexico. Ill health affected his ability to travel and also his work: oil was too viscous to be used due to his arthritis so he worked mainly in watercolour. Burra trained at the Chelsea School of Art (1921 3) and the Royal College of Art (1923 4). His first solo exhibition was hosted by the Leicester Galleries in 1929, Burra, notoriously solitary, joined Unit One in 1933 and also exhibited with the English Surrealists in the late 1930s. He was a successful set designer for a number of ballet productions. His work, whilst seemingly straightforward, often had macabre or seedy undertones. It is in his street scenes of Harlem however that are particularly celebrated. The Tate Gallery Collection holds some of the finest examples of his work.

notable works

Harlem, 1934, Tate Gallery Collection, London

Dancing Skeletons, 1934, Tate Gallery Collection, London

Please click here to see available works by Edward Burra

Reg Butler

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Reg Butler (1913 - 1981)

Reg Butler initially trained as an architect before becoming one of Henry Moore's studio assistants in 1947. Butler enjoyed critical acclaim early on and had his first solo exhibition in 1949 at the Hanover Gallery in London. Butler taught at the Slade School of Art from 1950 and was the first recipient of the Gregory Fellow at Leeds University from 1950 - 1953. Butler won the commission for the Monument to the Unknown Political Prisoner. The work itself was never created, however the original plans were for a sculpture in excess of 90 metres. During the 1950s and 60s Butler's work became less abstract, focusing instead on the roundness of the female nude, frequently depending his shapely forms on spindly, teetering bases. notable works:Woman, 1949Girl on her back, 1956 notable exhibitions:British Pavilion, Venice Biennale XXVII, Italy, 1952 notable prizes and awards:Monument to the Unkonwn Political Prisoner, 1953

Anthony Caro

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Anthony Caro (b. 1924)

After graduating from Christ's College, Cambridge in 1942, Caro undertook art training at a number of institutions in the UK before coming Henry Moore's studio assistant in 1951, whilst still studying at the Royal Academy. In 1953 Caro began teaching at St Martin's School of Art and became an influential figure for many of the gifted students who went on to form 'The New Generation'. The reigning art critic of New York, Clement Greenbery was an early patron and he even donated Twenty Four Hours, 1960 to the Tate Gallery. Caro's first solo show of abstract works was in 1963 was held at Whitechapel Art Gallery and was the start of an international exhibition schedule that continues to this day.

Notable works

Chapel of Light, Saint Jean Baptiste, Bourbourg

Lynn Chadwick

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Lynn Chadwick (1914 - 2003)

An architecture student, after the Second World War Chadwick began making mobiles in 1947 and was given his first solo show at Gimpel Fils in 1950. Chadwick worked in a variety of materials, including glass to great effect and continued to work with single or group figures in spindly, shrouded shapes. The menacing qualityies of his earlier work form the 50s continued, culminating in such ground-based works as Stranger III, a massive public commission from the Air League of the British Empire. This sculpture was to intended to commemorate the double crossing of the Atlantic by the Airship R 34 in July 1919, and was to be designed to be placed outside the Long Haul Terminal at Heathrow Airport. Notable WorksFisheater, 1951 commissioned for the Festival of Britain Notable ExhibitionsBritish pavilion, Venice Biennale 1952Palais des Beaux-Arts, Brussels, 1957Retrospective, Yorkshire Sculpture Park, 1991 Notable PrizesInternational Sculpture Prize, Venice Biennale 1956

Frank Dobson

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Frank Dobson (1886 - 1963)

After studying at an array of reputable art schools at the turn of the century, Dobson, inspired by the Post-Impressionist exhibitions on 1910 and 1912, studied Primitive art at the British Museum. A move to Newlyn in Cornwall lead to experimentations with direct carving in wood and stone. After the First World War, Dobson moved to Chelsea London and fell in with Group X, an avant-garde group founded by notable artist/intellectual Percy Wyndam Lewis in the 1920s. From 1921 Dobson had a series of exhibitions at The Leicester Galleries. Stylistically, it is clear that Dobson was influenced by the rhythmic compositions of Henri Gaudier-Brzeska elements of Cubism and the organic forms of Brancusi. Moving through the 20s, Dobsons style evolved into the Neo-Classical, echoing Maillol amongst others. During the Second World War, Dobson was an Official War Artist and in 1940 had a large retrospective exhibition at Bristol City Art Gallery. notable worksCornucopia, 1925 - 7London Pride, 1951, commission for the Festival of Britain notable exhbitionsRetrospective, 1940, Bristol City Art GalleryRetrospective, 1966, Arts Council, London

James D Egleson

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James D. Egleson (b.1907)

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James D. Egleson (b. 1907 - ?)Sleeping sailors on deck, night, circa 1940screenprint15 x 11 3/4 inchesinscribed in pencil lower right, 'for Ruthie, Jim Egleson'signed front in black ink 'Jim Egleson'Printmaker, painter, and science illustrator, Jim Egleson (b. 1907) studied engineering at Swarthmore College and the Massachusetts Institute of Technology. He then served a year's apprenticeship with the Mexican Muralist, Jose Clemente Orozco. During World War II he was a naval officer in engineering aboard the carrier Saratoga: he became an emergency medic while the ship was under attack, later sketching the disaster. It is quite possible that this screenprint is also the artist's rendering of the dramatic events on board the Saratoga. In the postwar years he was a TV news artist, and in the 1960's began etching. His prints are now in the permanent collections of the Metropolitan Museum of Art and the New York Public Library; the Addison Gallery of American Art, Andover, Mass., and numerous university collections.He was a member of the Society of American Graphic Artists, the Connecticut Academy of Fine Arts and the Silvermine Guild of Artists where he was also an instructor of etching.

Jacob Epstein

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Jacob Epstein (1880 - 1959)

Born in New York, Epstein settled in England in 1905 after a stint in Paris studying at the Ecole des Beaux-Arts and the Académie Julian. His early interest in tribal art was aroused at this time and endured throughout his career. Epstein enjoyed career recognition (if not acclaim) early on and was awarded the commission to create eighteen figures for the British Medical Association headquarters on the Strand. Despite, or perhaps because of the public furor about the BMA commission, Epstein was chosen to carve the tomb of Oscar Wilde for the famed Père Lachaise cemetery. This stone, winged angel, seen side-on was also controversial due to the then-explicit nudity. Epsteins most famous work in its own merit is Rock Drill from 1915, an alien-machine hybrid originally perched on top of a functioning drill. The subsequent destruction of The First World War curtailed Epsteins dramatic renderings of the future and for subsequent exhibitions of Rock Drill, Epstein decided to bisect the original work, placing the peering torso on a plinth. Alongside his work in stone, alabaster and marble, Epstein worked on bronze busts of family members, friends and notable public figures, including his son-in-law, Lucian Freud and Albert Einstein notable worksTomb of Oscar Wilde, 1911Rock Drill, 1915Genesis, 1929 - 1931A Woman Possessed, 1932Jacob and the Angel, 1939

Henri Gaudier-Brzeska

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Henri Gaudier-Brzeska (1891 - 1915)

Born in France and eventually settling in London in 1910, little is known of Gaudier-Brzeskas early life or training. His first two years in the city are also largely undocumented however a chance encounter with Middleton Murray led to the inclusion of his drawings in an issue of Rhythm. Gaudier-Brzeska had a studio in Putney and there met Ezra Pound, easing his passage into the intelligensia circle of the day. His work was replete with supreme confidence and precocious ability; he was part of Roger Frys Grafton Group exhibition at the Alpine Club in Gallery held in January 1914. Gaudier-Brzeska was a member of the London Group (1913) and a Vorticist, contributing to Blast nos. 1 and 2. Gaudier-Brzeska then joined the French army and was killed 5 June 1915 in Neuville-Saint-Vast. Since his untimely death, Gaudier-Brzeska has been the subject of several solo and group exhibitions, the first in 1918 held at Leicester Galleries, but also at the Beaux Art Gallery in 1952 and again in 1954. Gaudier-Brzeskas accomplished use of a variety of styles makes him enduringly popular today. His most recent group exhibition was the critically-celebrated Wild Thing exhibition at the Royal Academy in 2009.

notable works

Red Stone Dancer, 1913

The Dancer

The Mermaid, c1912

Crouching Figure, c1914

Eric Gill

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Eric Gill (1882 - 1940)

A vastly-talented artist who worked in stone, wood and engraving. Gill initially focused on the trade and technical skills that would lead to employment whilst also being of use in his artistic pursuits. He was taught decorative lettering at Chichester Technical and Art School (1897-9) and was then apprenticed to an architect (1899 1903). Courses in both lettering and masonry followed and by 1909 Gill was making his first figurative sculptures. After a paid visit to observe Maillols clay modeling technique, Gill was confirmed in his belief that he was primarily a stone carver and would not generally make use of clay working models. His success was almost immediate and several of his earliest works were included in Roger Frys second Post-Impressionist show of 1912. Gill also carved the inscription for Jacob Epsteins Tomb of Oscar Wilde. Gill's contribution to typography is significant, notably the Gill Sans text which is still celebrated today for it's restrained elegance.

notable works

Ecstasy, 1911

Stations of the Cross, Bentleys Westminster Cathederal

I L Josephy

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I L Josephy (active mid 20th Century)

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I.L Josephy (active mid 20th Century)Untitled, circa 1955oil on canvas24 by 36 inchessigned front twiceLittle is known of the artist, it is clear that he was greatly influenced by the work of the Abstract Expressionists. Josephy has a sophisticated sense of color and tonal variety. The brushwork is confident and emphatic, with dexterous use of under painting to enhance this accomplished composition.

David Nash

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David Nash (b.1945)

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Nash studied at Kingston College of Art, Brighton College of Art and completed a post-graduate career at Chelsea College of Art. However Nash spent his summers at Blaenau Ffestiniog in Wales and eventually settled there with his family, converting a dis-used chapel into the family home and his studio. The conversion process lead to Nashs increased familiarity with wood, something which would become pivotal in his career. Early experiments in Land Art (Ash Dome, 1977) gave way to work based in wood. During the 1990s, Nash explored burned or charred sculptures, such as Charred Column, 1993 made of burnt oak.

notable works

Eighteen thousand tides, for Eastbourne

Divided Oak and Turning Pines, National Park of Hoge Veluwe, Otterlo, the Netherlands.

Please click here to see available works by David Nash

Kirsten Nash

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Kirsten Nash - 2011 NYFA Fellow

- artist's statementFamiliar, generic, and loaded with cultural significance, the suburban parking lot is an archetype of our contemporary environment. As a motif, it has served as a vehicle for my exploration of space, memory, and material.I play with the juxtaposition of positive and negative, imagery and abstraction, line and ground, and deep space and the flatness of a canvas. The collision of the natural and artificial become metaphors for the creative process. Appropriating the reductive quality of American Minimal and Conceptual painting, while referencing objects and places from the everyday, I hope to engage the viewer on more than one perceptual level. In the most successful pieces, the viewer is made aware of the delicate balance between his or her reading as one of the oscillation between the formal properties of the work and personal reverie upon life experience.Selected biography2011 Awarded the New York Foundation for the Arts Fellowship in drawingElemental Process; curated by John Ros, Spool Mfg., Johnson City, NY2010 Maginot Line; curated by Dennis Scholl, David Castillo Gallery, Miami, FLGroup Show, GalleryELL_the Loadingdock, 2010, Brooklyn, NY2009Queens International 08; curated by Jose Ruiz & Erin Sickler, Queens Museum of Art, NYGovernors Island Art Fair, 2009, Governors Island New York2008Parking Lots, Works on Paper by Kirsten Nash, 2008, The Rye Reading Room, Rye, NYKirsten Nash and Jim Zellinger; Go North Gallery, Beacon, NY. Things from Your Life, An Exhibition In 3 Homes; Curated by Kelly Adams and Paul Bloodgood; 2007 Jackson Heights, NY Queens Diversity Project: Town and Country; RAA; Sponsored by the Queens Council on the Arts.2006Light, Moore College of Art and Design, Philadelphia, PA 2004Final Proposal, 2004, Year Project Space, Brooklyn, NY2000Minimal Landscape, Gramercy Arts Club, New York, NY 1999Paradox of Simplicity, curated by Sheila Geramy, Williamsburg Arts and Culture Festival, Brooklyn, NYDrawing File, On View Gallery, New York, NY. 1997 Downtown Installation, Contemporary Artists Center, North Adams, MA. Painted Cities, Carrie Haddad Gallery, Hudson, NYDown Town Art Exchange, 4c, New York, NYDealers Choice, Art Initiatives, New York, NY1989Ten on Purpose, SPACES, Cleveland, OH

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Kirsten Nash_CV.pdf

Please browse through the gallery above to view the new works by Kirsten Nash

Susie Reiss

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Susie Reiss

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Kershaw Matthews FAS is excited to present Yale graduate Susie Reiss. Reiss works in the gap between figuration and abstraction, with an emphasis on forms as either just that - forms - or as readable objects. Using shapes from the natural world, Reiss work consists of carefully assembled layers of fabric swatches, sometimes pulled away to reveal the skeleton of the fabric with faint traces of color, or left as they are. These layers create depth to the pictorial plane and often evoke leaves, forests and other elements of the landscape tradition. Reiss refers to her works as "unpainted paintings" and likes evidence of craftsmanship to show in the finished works. Citing influences as varied as Henri Matisse, Philip Guston and Thomas Nozkowski, Reiss work evokes diverse recollections for the viewers, whether it is in the forms and palette of the British neo-romantics (Untitled 2008.66); the striking rhythmic compositions of Serge Poliakoff (Untitled 2010.73) or Milton Averys intuitive use of color to create landscapes (Untitled 2010.75), Reiss work is fresh to the viewer but also unexpectedly familiar.

Leslie Thornton

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Leslie Thornton (b.1925)

Upon completing a degree at Leeds College of Art in 1948 and the RCA in 1951, Thorton exhibited in the Young British Sculptors traveling exhibition organised by the British Council. In 1955 Thornton started working with Gimpel Fils gallery and was one of the artists featured in the Sao Paolo Biennale in 1957. His work can be found in an international array of museums including MoMA, the Fogg Art Gallery, the Albright Museum and the Scottish National Gallery of Modern Art.

notable works

Crucifix, 1952

Men Fishing from Pier, 1955

Children Playing on Stilts, 1957

William Tucker

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William Tucker (b.1935)

Tucker studied at St Martins School of Art and had his first exhibition upon graduating at the Grabowski Gallery (1962). Tucker took a teaching position at Goldsmiths School of Art, St Martins and the University of Western Ontario before being appointed Gregory Fellow at the University of Leeds in 1968. In 1978, Tucker moved to New York and become an American citizen in 1986. His work has evolved through several key styles; in the 1960s his work comprised brightly coloured aluminum, steel or fiberglass. By the 1970s his work had become more open and spare in form. More recent work is more expressive and shows the influence of Rodin.

notable works

2/5/A, 1960

Sphinx, 1980

Guardian I, 1983

Leon Underwood LeonUnderwood copy.jpg

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Leon Underwood (1890 - 1975)

An accomplished artist in many medias, Underwood studied drawing at the Regent Street Polytechnic (1907-10) and painting at the Royal College of Art (1910 13) before undertaking four years of military service. He taught at the RCA and then opened his own school in 1921, teaching an illustrious array of artists who enjoyed enormous success later on, including Henry Moore, Barbara Hepworth and Gertrude Hermes. Whilst teaching Underwood started working with stone, his works based upon the human torso owes much to Eric Gill. Underwood traveled extensively and was influenced by Pre-Columbian and used several motifs in his work from the late 1920s 1930s.

notable works

Torso, 1923

Regenesis, 1930

recent acquisitions

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we wish to acquire

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we wish to acquire

works by :

Caio Fonseca

Lesley Vance

modern and contemporary work by British artists.

KMFAS is also looking for emerging contemporary artists and invite submissions via e-mail. If you wish to exhibit with KMFAS, please apply via e-mail outlining your education, influences and five examples of your work.

sarah_kershawmatthews.com

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EditorialIn the event of an array of artworks, Kershaw Matthews Fine Art Services can assist clients with documenting pre-existing works in a client's collection, Kershaw Matthews Fine Art Services can subsequently advise clients of notable omissions or possible exchanges that will most benefit the collection as a whole. Kershaw Matthews Fine Art Servies can also compile digital and bibliographical reference files for the clients own use as well as offering an off-site archive service if required. AppraisalsKershaw Matthews Fine Art Services monitors changing prices within the commercial art world and uses this bank of information to ensure clients' insurance valuations are always up-to-date.AftersalesKershaw Matthews Fine Art Services provides clients with updates of their nominated artists, tracking awards, notable prices, exhibitions and other accolades. Framing & restorationIn the event of damage or framing problems, Kershaw Matthews Fine Art Services can suggest suitable reframing and restoration options, keeping in mind existing collection, time frame and budget.
Art brokerageKershaw Matthews Fine Art Services covers an international range of private galleries, dealers and auction houses, with an emphasis on galleries within New York City. This allows clients to benefit from our unique insight and experience of the local art scene; from emerging artists exhibited in the Lower East Side, to mid-career artists in Chelsea to the modern masters exhibited in many of the galleries of the Upper East Side.Auction & exhibition coverageThe majority of the auction houses host their sales within a day or two of each other, it can be overwhelming to monitor the sales and assess the potential purchasing opportunities. Kershaw Matthews Fine Art Services can sift through the many thousands of works offered for sale and select those that compliment your existing collection. CuratingKershaw Matthews Fine Art Services offers clients a bespoke approach to assist with gauging their collecting ambitions, by conducting one-on-one gallery, museum and art fair tours.Kershaw Matthews Fine Art Services will guide new collectors so they can make informed choices for their burgeoning art collection. For corporate and established collectors, Kershaw Matthews Fine Art Services is uniquely set-up to advise about a new area of collecting or updating an existing collection with works by emerging artists or artists experimenting with new medias.ResearchPlease contact Kershaw Matthews Fine Art Services directly to learn more about our recent research projects on behalf of art professionals and private individuals. In general terms, our access to both the Frick and MoMA reference libraries provides ample research opportunities, in partiuclar for dealers based in Europe who on occasion cannot trace reference copies of the American publications. Please do contact a member of staff if you would like to find out more.
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